Christmas is coming. And, to many a prospective six-stringer, that means asking Santa for a new guitar.
Whether or not that new guitar materializes, though, is another matter entirely. If, like me, your answer to the question “how many guitars should you own?” is always “one more than you currently have,” it’s difficult to make the case that you really “need” that new instrument to the powers that be (usually your better half).
I’ve talked before in this blog about strategies for smuggling a new six string into your home. Recently, I heard mention of a new approach, and given that the holiday season is almost upon us; I thought it pertinent to share with you all.
(I should offer a disclaimer at this point. As with all my previous “how to get a new guitar past your significant other” advice on this blog, I’m almost 100% per cent certain that this will not work. But heck, it’s the festive season, and Christmas miracles do sometimes happen!)
If you want that sweet sounding new Taylor acoustic or Gibson solid-bodied electric, then you’re going to need to find a sacrificial lamb. And, if you can bear to part with said lamb, then the rewards are yours for the taking.
So what is a sacrificial lamb? It’s that guitar in your collection that’s been
gathering dust. Perhaps you bought it on a whim. Maybe it’s a mid-level instrument that you outgrew or upgraded a way into your guitar-playing journey, but didn’t want to part with for sentimental reasons.
I’m guessing you’ve got one somewhere; sat forlornly on a guitar stand or hiding in a dog-eared case under your bed. You probably forget to mention it when running through your collection with guitar playing buddies and it certainly wouldn’t be the first thing you grabbed if your house was on fire.
What you’re going to do is make a very visible display of either selling or giving that guitar away.
Now, it’s really important that you do this before making any mention of the new instrument that you covet. You have to make sure that the sale of this guitar and the purchase of the next one appear in no way related.
That’s because sacrificing the lamb isn’t just about getting rid of a guitar. It’s about making you look like you’ve turned over a new leaf; like you’re not the sort of person who hoards all things six string, someone who has a financial compass and isn’t prone to impulsive guitar splurging (or asking loved ones to do the splurging for them once the holidays roll around). If you really want to seal the deal, consider using a coaster or getting a haircut.
All of this is a lie of course. Said new leaf remains resolutely unturned, and chances are, you’ll be trying this or a similar tactic next birthday/holiday season/time you drunk buy a replica Black Beauty Les Paul after watching videos of Led Zep at the Albert Hall on YouTube. But those are problems for future you. Right now, let’s get back to the matter at hand.
With your lamb sacrificed, it’s time to mention that new “best guitar ever” to your partner. Now that you’ve laid the groundwork, you’re in a much stronger position to ask for a new axe. After all, you just sold a guitar. That means you’re no longer a man-child with a G.A.S problem (gear acquiring syndrome – not flatulence); you’re a well-adjusted adult who can let go of the things they don’t need…
Until next year, at least.
It’s safe to say that some of the most influential musicians in the 1960s came from Britain. The list sure backs up that fact: Eric Clapton, Jimmy Page, Jeff Beck, Pete Townshend, Peter Green, Richie Blackmore, John Lennon, George Harrison, and I can go on and on and on...
Notice, though, that I said musicians, not just guitarists. There are many heroes to be found for every instrument, particularly with our focus for this piece: the drums.
I’m not sure what the origin of this particular instrument was (though we may find out later), but maybe it was a crafty guitarist who thought: “You know what’s better than six strings? Double! Twelve strings!”
This story likely isn’t true, but the 12-string guitar is valuable in any guitarist's arsenal. With its thick, bright, and lush sound, the instrument has been a staple in most styles of music since its inception.
From being found in the wash to being left on counters and desks to being counted with change out of a guitarist’s pocket, guitar picks are the definitive proof that the holder undoubtedly plays the instrument.
But as omnipresent as they are, how many guitarists have pondered the history of the pick itself? Who are they? What were they doing?