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“May you live in interesting times…”
Over the past few days, this phrase has popped into my head a lot.
Supposedly, it’s an ancient curse. And, while it sounds more like a blessing than a malediction, the expression is ironic. “Uninteresting” times, after all, are peaceful. History’s “interesting” moments were where the troubles lay.
Whether we’ve been cursed or not, these are most definitely “interesting times” we’re living in. In the past few weeks, we’ve faced unprecedented upheaval on a global scale. Things we took for granted at the start of the year – stocked supermarket shelves and the freedom to congregate as we please – are no longer a given. “Social distancing” is now a fact of life and I’ve washed my hands so many times past weeks, you’d think I murdered a Scottish King…
Perhaps most troubling is that we don’t know how long this will last. Weeks? Months? Years? The future is uncertain.
As these strange days go on, though, there’s another statement that keeps ear worming around my brain.
“I pick up my guitar and play. Just like yesterday.”
Of course, we know who wrote that one...
I thank god for my guitar because right now, it’s a lifeline. As crazy as things are, those six strings remain constant. I’ve never been so grateful to fret chords, practice scales and make music. When I plug in my Les Paul, I can make enough noise to drown out all the uncertainty and all the bullshit. Things are changing at a rapid pace, but the guitar is still there. Just like yesterday.
And I know I’m not the only one. A ray of light in all of this has been hearing musician friends reconnecting with their instruments. My social media has been awash with new songs, covers and live streams these past few days and the outpouring of creativity has been heartening. Just the other day, for example, my Thalia colleague Michael G. Woodley shared an EP that he’s finished during shutdown. It’s awesome.
Yes, we might be socially distant, but we’re still all connected through our love of music. Even though we’re separated, every time we pick up our instruments, we’re playing together. Over the coming weeks, I’d encourage you to keep sharing those songs, those videos and those stories; to “Keep Talking,” as Pink Floyd once put it.
As always, the comments section is below. More, now than ever, we want to hear your thoughts, your stories and what you’re working on at the moment.
It’s safe to say that some of the most influential musicians in the 1960s came from Britain. The list sure backs up that fact: Eric Clapton, Jimmy Page, Jeff Beck, Pete Townshend, Peter Green, Richie Blackmore, John Lennon, George Harrison, and I can go on and on and on...
Notice, though, that I said musicians, not just guitarists. There are many heroes to be found for every instrument, particularly with our focus for this piece: the drums.
I’m not sure what the origin of this particular instrument was (though we may find out later), but maybe it was a crafty guitarist who thought: “You know what’s better than six strings? Double! Twelve strings!”
This story likely isn’t true, but the 12-string guitar is valuable in any guitarist's arsenal. With its thick, bright, and lush sound, the instrument has been a staple in most styles of music since its inception.
From being found in the wash to being left on counters and desks to being counted with change out of a guitarist’s pocket, guitar picks are the definitive proof that the holder undoubtedly plays the instrument.
But as omnipresent as they are, how many guitarists have pondered the history of the pick itself? Who are they? What were they doing?
