In 1970, Derek and the Dominos released “Layla and Other Assorted Love Songs,” one of the landmark rock albums of all time. Arguably Eric Clapton’s definitive musical statement, “Layla” is also the record that made Slowhand synonymous with the Fender Stratocaster.But, while Clapton and Fender are synonymous today, his early sound, and some of his most famous recordings, were actually created using Gibson instruments. Today, we’re going to run through Eric Clapton’s Gibson years, and three of the Ted McCarty-and-co designed guitars that he staked his name with.
Leo Kottke is a fingerstyle institution, and an inspiration to guitaristsacross the globe. His unique blend of folk, blues and jazz and his distinctive syncopated, polyphonic melodies have earned him accolades and followers galore. And, his battles with adversity – he’s overcome partial hearing loss and a near career-ending bout with tendonitis – are testament to his dedication to his craft.
We’re living in a great time for acoustic music. Fingerstyle guitar is thriving, and outlets like YouTube give exposure to new guitarists on a regular basis. But, this wasn’t always the case. In the ‘80s, when synths and electronic sounds reigned supreme, some thought the humble hollow-bodied six-string would go the way of the dinosaur.
Is he really a great guitarist, or do his detractors have it right? Today, I’m going to try and get to the bottom of it.
Welcome back to the final part of Thalia’s in depth interview with Jared James Nichols.
In this final edition, we pick up on Jared’s Blues Power mantra, life on the road, and how his impressive Epiphone signature Les Paul came to be…
In this edition, we’re taking a look at the Parlor guitar. The smallest guitar we’ve covered so far, the Parlor made waves in the late 19th century, offering a musical outlet for living room strummers.
“Please allow me to introduce myself. I’m a man of wealth and taste.” So begins “Sympathy for the Devil.” When released in 1968, the song cemented the Rolling Stones as genre-defining songwriters par excellence.But more than that, it became one of the most culturally significant tracks of the 20th century.
Welcome back to the Guitars That Made Jimmy Page. Last time, we got to grips with Page’s iconic Telecaster, double neck and, of course, his Number 1 Gibson Les Paul. Now, to kick off Part Two, we’re jumping back in with another Les Paul. This one’s less well known, but equally important to Page’s guitar playing history. It’s also the one that got away. The reasons for that will become clear momentarily…
James Taylor is probably the definitive singer-songwriter of his generation. His confessional lyrics are some of the most affecting in popular music. And, given his way with words, it’s hardly surprising that Taylor is a great interview subject.
For many of us, it’s hard to imagine smashing a precious instrument. The Who’s Pete Townshend isn’t like you or I, though. Back in the day, smashing guitars was par for the course for him.
If you’re playing electric guitar in 2019, you owe a debt to Jimmy Page.